Techie Tiger 300-Piece Jigsaw
Puzzle. By Robert Pizzo. Pomegranate. $14.95.
When I Am Not Myself. By
Kathy DeZarn Beynette. Pomegranate. $14.95.
If books can be puzzling, it
seems only fair that puzzles can be “book-ing.” Or at least book-ish. Techie
Tiger is a character in Robert Pizzo’s very clever The Amazing Animal Alphabet of Twenty-Six Tongue Twisters,
published by Pomegranate last year. The page devoted to him reads, “Techie
Teenage Texas Tiger Texts Text To Tennessee Toads.” And there you see Techie,
complete with 10-gallon hat, sprawled on a bed amid typical teen technology,
with a poster of the Tennessee Toads rock band on the wall, texting “C U @ the
show” to the musicians. It is a very funny scene, made more so by the
realistic-looking-but-deliberately-overdone tiger art on which it is centered. It
is also a very colorful scene, with primary colors splashed everywhere and
complemented with judicious use of black, white and grey. It is, in fact, a
scene that lends itself very well to enlargement, and now it is available in a
two-foot-by-18-inch size. The catch: you have to put it together, slowly and
carefully. Pomegranate has turned Techie Tiger into the star of a 300-piece
jigsaw puzzle, which comes packaged in a sturdy cardboard box inside which the
pieces are presented within a resealable one-gallon plastic bag – the better to
keep them together. The “ArtPiece Puzzle” line is a unique bit of entertainment
from Pomegranate, with puzzles drawn from fine art, architecture and other
fields as well as, in this case, a book for young readers. An unusually clever
spinoff, Techie Tiger 300-Piece Jigsaw
Puzzle is a great deal of fun to look at, a challenge (but not an
unreasonably difficult one) to assemble, and a fine tie-in to encourage reading
of Pizzo’s book for anyone who may encounter the puzzle without having read the
work from which it is drawn. The book itself is offbeat and unusual, the
pulling of a puzzle from Pizzo’s pages perhaps proving the perceptive
perspicacity of Pomegranate’s promotional penchant. See? Pizzo’s alliteration
is catching.
The puzzling is of a
different sort in Kathy DeZarn Beynette’s When
I Am Not Myself and is altogether more existential – not that that word
itself appears in a short, small-size hardcover book intended for young
readers. The “who am I?” notion, though, can be a puzzle at any age, and that
is what Beynette explores wittily and a touch wistfully here. Each page
features a full-color illustration of a four-line piece of poetic whimsy and
thoughtfulness focusing on an animal that the reader may “be” at one time or
another: “When I’m a Giraffe/ My food’s high on a shelf;/ I put it up there/ To
share just with myself.” Most entries also show an earlier version of the
finished illustration – one in which words, art or both differed from the final
product. The Giraffe, for example, has its neck bent much farther back in the
early drawing than in the final one, but the quatrain is the same. For the
Zebra, the animal’s entire pose changes subtly between the two pieces of art, and
the original plain background becomes a checkerboard. The poem changes, too,
ending up: “When I am a Zebra/ My stripes look OK,/ But I’d like to try/
Wearing checks for one day.” In the original version, the middle lines read,
“I’m sure stripes look okay,/ But I just want to try.” Small differences,
perhaps, but ones sufficient to induce Beynette to make changes before completing
the page. There is some social commentary in When I Am Not Myself, as in the piece about kittens, which has the
word “adopt” at the top: “When I am a Kitten/I wait in a row/ For someone to
love,/ For someplace to go.” But by and large, the book is simply an
imaginative journey through the minds and appearances of various animals as a
child might think of them. And it ends, suitably and winningly, with a page
that starts, “When I am Myself,” featuring eight different self-imaginings as
animals – not all of which have appeared previously in the book, but all of
which are both charming and amusing….as is the entire book itself.
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