Everything Goes: In the Air.
By Brian Biggs. Balzer+Bray/HarperCollins. $14.99.
Everything Goes: 123 Beep Beep
Beep!—A Counting Book. By Brian Biggs. Balzer+Bray/HarperCollins. $7.99.
Everything Goes: Stop! Go!—A Book
of Opposites. By Brian Biggs. Balzer+Bray/HarperCollins. $7.99.
The Runaway Bunny, The Story of
Babar and Goodnight Moon. Read/sung by Catherine Zeta-Jones, Michael
Douglas and Mark Stone. GRP Records. $16.99.
Brian Biggs’ Everything Goes books continue to be a
great mixture of information and enjoyment, tackling subjects that young
children will frequently encounter in everyday life and explaining them
amusingly and accurately in a delightful combination of fact and fiction. In the Air, for ages 4-8, for example,
explains that “some things have changed, but airplanes basically work just as
they did a hundred years ago” – which may be a revelation to some parents as
well as children. The parts of a plane are clearly labeled, and various types
of planes – new and old – are shown in ways that make perfect sense: a stunt
plane is not only shown upside-down but also identified with upside-down
lettering. Nor are planes the only
flying machines shown here – kids and, again, adults may be surprised to see
how many types of helicopters there are. Biggs is careful not to overdo the
specificity of his drawings and words – for example, he shows the interior of
the cockpit of a passenger jet, but although he labels some parts individually
(thrust lever, yoke, altimeter), he also includes the label “various indicators
& gauges.” The simple story
underlying the book is that of a family plane trip, and the foldout pages near
the book’s end provide the climax of a smooth takeoff before the inevitable
“are we there yet?” question that concludes In
the Air. This is another virtuoso
performance by an author with exceptional real-world communications skills.
Biggs’ abilities
translate well into board books for kids up to age four, with the result that 123 Beep Beep Beep!—A Counting Book and Stop! Go!—A Book of Opposites work well
by using Biggs’ simple style and drawings and making them even simpler. But not
too much simpler: the books get their information across with a minimum of fuss
and a maximum of clarity. The counting book, for example, starts with one bus,
continues through such vehicles as four vans and seven motorcycles, and ends up
with 10 bicycles – and when all the vehicles are combined, what do you get? “1
BIG traffic jam!” The opposites book is
equally clever and well done. Up/down, dirty/clean, full/empty and so forth are
nicely and very clearly illustrated, with cars, trucks, motorcycles, even
unicycles being used to show the meanings of opposite words. The final contrast
here uses the book’s title – with a police car waiting at a stop sign while a
convertible painted to look like a flame rushes past…leaving kids to figure
out, or adults to explain, what is likely to happen next. Like Biggs’ other books, these are
age-appropriate, amusing, informative and thoroughly enjoyable.
Reading books aloud to
children is one of the best ways to make them into lifelong readers – and help
them absorb new information. But having kids hear professionals do the readings
of favorite stories is a different kind of joy – and a very substantial one in
a new GPR Records release featuring three of the best-loved books for children.
This is a thoroughly marvelous mixture of good reading, pleasant singing and
delightful music, all built around The
Runaway Bunny, The Story of Babar and
Goodnight Moon. Catherine Zeta-Jones reads Margaret Wise Brown’s The Runaway Bunny to a piano trio
composed by Glen Roven, and the story is offered in its full version and also
in a shorter one for younger children. Younger listeners also get not one but
two versions of Brown’s Goodnight Moon,
again with music by Roven, with performances by baritone Mark Stone and the GPR
Festival Choir. Slightly older children get a different treat: The Story of Babar read by Michael
Douglas, with music by Francis Poulenc. This is one of those CDs that are a
collaborative effort among many talented people: composer Roven is artistic
director of GPR Records; his music for The
Runaway Bunny is played by Trio 21 (pianist Jeffrey Bigel, violinist Kinga
Augustyn and cellist Robert deMaine); and Poulenc’s music for The Story of Babar is played by pianist
Jason Wirth. Interestingly, though, it is not the star-studded cast that
matters here, because Zeta-Jones and Douglas do a fine job of focusing
attention on the stories they are reading, not on themselves – which is, in its
own way, just what parents ideally do when reading these books to their own
children. A portion of the profits from
this recording is being donated to a school that helps children who have
language-based learning disabilities, too – a nice bonus, although not a reason
in itself for parents to buy the CD. What is
reason enough is the excellent combination of words and music and the sensitive
but not overdone readings that will result in children enjoying hearing these
books over and over, and hopefully encourage them to read the books themselves
when they are able to do so.
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