Dinosoaring. By Deb Lund.
Illustrated by Howard Fine. Harcourt. $16.99.
An Awesome Book! By Dallas
Clayton. Harper. $16.99.
Deb Lund’s first two
dinosaur adventure books took the sort-of-realistic-looking dinos out to sea (Dinosailors) and along the right of way
on land (All Aboard the Dinotrain). Cleverly written and illustrated with careful
precision by Howard Fine, whose somewhat-real-looking dinosaurs stood in
contrast with the decidedly un-dinosaur-like things they were doing, the books
were wonderful from start to finish. The
creative team is the same for Dinosoaring,
and the writing is again a delight (including the punning title), but this time
the illustrations detract somewhat from the action instead of adding to it,
resulting in a book with plenty of charm – but not quite as much as its
predecessors had in the past. This time
Fine uses gouache and watercolors, creating soft-edged, dreamlike illustrations
that mesh too well with the silly
theme of dinosaurs squashing themselves into a plane, pushing it (and flapping
their “arms”) to get it off the ground, then doing aerial acrobatics to the
delight of the crowd at an air show. Lund
keeps just the right cadence on almost every page: “They dangle from their wide
trapeze/ And dinodance on wings with ease./ The crowd below screams out for
more./ They love to watch them dinosoar!”
Eventually, the dinosaurs get airsick, decide they have had enough of
games aloft, and jump off and out of the plane, their multicolored parachutes
providing a gorgeous burst of color as they float the dinos gently back to
earth and whatever their next adventure may turn out to be. Fans of the earlier books will surely want to
have this one as well, but readers – kids and parents alike – may find
themselves wondering why Dinosoaring
does not pack quite the same punch as the earlier books in this series. The
answer is the dino-art.
An Awesome Book! originally appeared in 2008, and it has not
changed at all – even some of its silliest elements remain intact: “Ages
0-1000,” for example, and Dallas Clayton’s overly sweet remark, “Writing this
book changed my entire life. I think it is important. I think you are
important.” The basic theme of the book
emerges four years later intact, however: kids, and adults as well, need to
dream…and dream BIG. Clayton draws Rube
Goldberg-like machines, throws improbable ideas together (musical baboons on
one two-page spread, “teeny tiny trumpet players training pet raccoons” on the
next), and contrasts the outrageously silly stuff with bland practicality,
shown in an ordinary street scene where ordinary people are doing everyday
things while their thought balloons show they are thinking of nothing at all –
just grey cloudiness. The sheer
profusion of Clayton’s drawings is what makes them so much fun: an entire page
filled with loads of tiny hats, for example, and a two-page spread absolutely
packed with matching silverware – an unlovely dream but a lovely
illustration. The message is quite
clear: instead of dreaming of “breakfast sandwiches” and similar slices of
reality, “dream a dream as big as big could ever dream to be, then dream a
dream ten times as big as that one dream you see.” The poetry, as in that last example, tends to
be a little awkward in meter, but the hand-lettered words are so much fun to
look at that their actual content comes to seem less significant than their
visual impact; and, even better, the deliciousness of the illustrations is
unending. Just check out the one of the
huge creature, a sort of cat-eared kangaroo-dinosaur, made entirely of colored
fluffballs representing dreams, and roaring a whole passel of those dream balls
– bright yellow ones – in the shape of the word “ROAR.” This is a dream book, but despite the final
image of a child in bed, it is not really a bedtime story, since its highly
peculiar images may more likely produce nightmares than sweet dreams in
susceptible children – take a look, for example, at the train (with a
hat-and-earring-wearing gorilla as engineer) pulling a variety of odd railroad
cars, one of which contains a hand and wrist holding aloft a vehicle made from
a gigantic pineapple. Besides, Clayton
keeps telling children to have BIG dreams and LOUD dreams, and the pictures
that tumble over each other every which way scarcely seem like things
calculated to help kids rest peacefully.
But for children and adults who stay awake, the book is tremendous fun
both to read and to reread, because there are so many new things to be found on
each perusal of its pictures. Awesome is
as awesome does, and The Awesome Book!
certainly does.
Great to be included, and now I see another title I need to get for my own collection!
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