Above. By Leah Bobet. Arthur
A. Levine/Scholastic. $17.99.
Oracles of Delphi Keep #3: Quest
for the Secret Keeper. By Victoria Laurie. Delacorte Press. $16.99.
Notebook Trilogy No. 3: The Jade Notebook. By Laura Resau. Delacorte Press. $16.99.
Magical realism, urban fantasy – the names for books that
are designed to mix elements of reality with elements of unreality vary, but
the intention is the same: to create recognizable characters with just enough
strangeness in themselves and/or the world around them to make settings and
relationships intriguingly offbeat. So
much for good intentions; the reality, though, is often that these books rely
too heavily on elements of peculiarity and not enough on character or plot
development, with the result that they feel contrived and are ultimately
unsatisfying despite the magic-laden surprises they throw at the reader. This makes Leah Bobet’s debut novel, Above, very special indeed, because
Bobet manages to conjure a world in which characterization is extremely
important and magic is ever-present but in some ways is a side issue in a plot
that is part scary adventure and part offbeat love story. The plot is not entirely original, by any means, but it uses source material wisely. Taking a point from Lois Lowry’s The Giver, for example, Bobet makes her
narrator and central character a storyteller and preserver of his society’s
memories. His name is Matthew, but he is
called Teller by almost everyone, almost all the time. And because he is an expert at learning other
people’s stories and memorizing them (and also carving them in wood – a nice
touch), he lends believability to tales that would otherwise be hard to accept. Teller’s world is one in which medicine has
gone wrong, along with genetics. Some
people live Above in sunlight and cities, but others are very peculiarly
deformed or deranged, and they must seek Sanctuary in an underground place
called Safe – which, however, turns out to be very unsafe indeed when odd and
monstrous Shadows invade, their incorporeal beings at odds with their ability
to wreak havoc on flesh-and-blood-and-chitin people. Yes, chitin: some of those in Safe have
extremely odd malformations: Teller himself can Pass when he goes Above, but he
has beast feet and scales on his back (legacies from his parents). Others in Safe are even stranger, such as the
leader, Atticus, with his crab arms, and lamplighter Jack, who contains
lightning. Perhaps most unusual of all
is Ariel, who sprouts wings and turns into a bee when angry, frightened or
threatened – and although her transformation is less believable than the
malformations of the other characters, Bobet makes her so sympathetic a
character that her features as Sick or Beast almost become secondary. Teller’s narration, which includes the
importance of knowing the distinction between Doctors and Whitecoats, is not
always reliable: there is much he does not know or understand, and there are
Tales he cannot tell or chooses to withhold.
This makes the book all the more interesting – and all the more
harrowing. Above has some plot holes and some narrative awkwardness that is
attributable to Bobet rather than Teller, but as a whole, it is a remarkably
successful blend of the realistic with the wholly impossible: moving, exciting
and often absolutely fascinating in its evocation of a strange, dark, frightening
world that seems almost real.
The Oracles of
Delphi Keep series is more-straightforward fantasy, and although Victoria
Laurie writes with a sureness that Bobet lacks, Quest for the Secret Keeper is a bit too formulaic – it gets a
(+++) rating. Set in 1940, the book
features the takeover of Delphi Keep by the Royal Navy for wartime
communications purposes. This means Ian,
Theo and Carl face evacuation to a supposedly safe place where they know they
will actually be less protected from the magical forces arrayed against
them. The three also need to decipher
the third prophecy, which includes the lines, “Steadfast though your hearts may
be/ Here you risk what’s kept you free/ Quest for Keeper must begin/ Though the
odds at hand are slim.” This is pretty
standard stuff – the prophecy that is almost but not quite intelligible but
that clearly refers to the protagonists – and some of the writing in the
prophecy borders on the silly (“all is part of evil plan”). Still, this is the basis of the plot: the
friends must identify the Secret Keeper and “save the keeper from the
wind.” That wind could certainly refer
to the evil Atroposa, whom we see at one point with “the rags that made up her
clothing blowing in her own wind.” Or it
could refer generally to the “winds of war,” or some other sort of wind – what
really matters here is the standard good-vs.-evil plot, with some time travel
and appearances by mythological figures thrown in. One chapter is called “A Perilous Mission,”
but the title really applies to the whole book (and its predecessors, come to
think of it). The interweaving of
historical events with mythic and magical ones is among the most interesting
elements of the novel. As one character
explains, “‘Demogorgon has been waiting and watching while we humans have
spread our seed and now blanket the earth.
He has known that eventually, there would be so many people than an
evil, power-hungry ruler like this German Führer would start a global war. …If
enough misery and death is created, then the god down below may indeed break
free from the underworld, and…there is nothing any of us can do to stop
it. Well, except for you and the others,
of course.’” Yes, of course. So there are battles, betrayals, a death and
all the other appurtenances of tales of this sort, and eventually Ian learns
something important and is “astonished…that he’d taken so long to arrive at
something so obvious” – something that readers will likely have guessed
earlier. Quest for the Secret Keeper effectively continues this ongoing
series, although it does not add a great deal to it; readers who already enjoy Oracles of Delphi Keep will not be
disappointed in this entry.
The Jade Notebook
is a series conclusion, not a continuation, and its magic is more of the “magic
of the heart” than the sort involving wands or time travel. Indeed, the travel here is geographical and
in our own world, landing Zeeta and her peripatetic mother in Mexico (where
Laura Resau herself lived and taught for two years). Zeeta’s mom, Layla, is the flighty,
hippie-ish one here, while Zeeta herself longs for roots and a permanent
relationship with her soul mate, Wendell – plus a connection of some sort with
her long-lost father. Zeeta and Wendell
work together to learn about Zeeta’s dad’s past, and what they find out is
distressing rather than reassuring; and when Zeeta finally does meet her
father, as it has been clear from the start of this series that she would, he
turns out to have had some contact with her before (as she has previously
guessed) but to be hesitant about dealing with her: “He sits there watching me,
awkwardly. Why isn’t he talking, hugging me, comforting me? Something.
Anything. Anything remotely
fatherly.” Zeeta also has to deal with a
scholarship offer that Wendell has received and that she fears will sunder them
– she tells him she has been “‘scared you’d go off and start a whole new life,
one without me.’ I pause to swallow my tears.”
There are plenty of tears to go around in this (+++) finale, including
some that relate to almost-magical happenings involving the woman Meche and her
jaguar companion, Gatito, and a concluding vision that Wendell tells Zeeta he
had “‘while I was stranded in the ocean.
When I thought I was about to die.’”
This final vision gives Zeeta the closure she has longed for throughout
the trilogy, leaving her contemplating “things of infinite beauty, pathless
mystery,” secure at last in herself, her family and her future – wholly
unrealistically, perhaps, but that is what magic, of any sort, is all about.
No comments:
Post a Comment