Harry Potter: A Journey Through a
History of Magic. Arthur A. Levine/Scholastic. $19.99.
You won’t find a better gift
book than this for any Harry Potter fan, of any age. It is an absolutely
enchanting blend of the real world, where magic does not exist but has a
fascinating history, with the realistic underlying elements of J.K. Rowling’s
fictional world, where magic not only works but also is central to pretty much
everything. Harry Potter: A Journey
Through a History of Magic is based on a superb British Library exhibit
that uses the Harry Potter books to introduce the history of magical thinking
and actions in our (that is, the Muggle) world – showcasing both Rowling’s
careful research and the reasons the Harry Potter books have resonated so
deeply with readers for more than 20 years.
Harry Potter: A Journey Through a History of Magic is also a rare
opportunity to get some of the stories behind the Harry Potter series – or, if
not exactly behind, those leading up to the novels, anyway. For example, the
book includes Rowling’s own drawings of various parts of the “Potterverse,”
ranging from individual characters at Hogwarts to a portrait of Harry with the
detestable Dursleys to Harry and his friends seeing Fluffy the three-headed dog
for the first time. It includes handwritten drafts of some of the books’
scenes, showing what Rowling kept in and what she (or her editors) removed
before publication. It has an early version of the Sorting Hat’s song, and
Rowling’s own conception of the opening to Diagon Alley. And much more. It also
has finished art, some by Olivia Lomenech Gill and quite a bit by the wonderful
Jim Kay, who is in the process of reimagining the Harry Potter world through
handsome, oversized, illustrated editions of all seven novels (three of which
have been published so far).
Yet there are things here
that are even more intriguing than all this – perhaps not for all
dyed-in-the-wool Harry Potter fans, but surely for some of them, and very definitely
for anyone who likes (even loves) the novels but whose curiosity about magic
extends beyond them. Here you will find a picture of the amazing alchemical
manuscript called the Ripley Scroll, a gorgeously illustrated 16th-century
guide to the Philosopher’s Stone that is so big – some 20 feet long – that it
has rarely been unrolled, because there are few tables big enough to hold it.
Here is a look at the real Nicolas Flamel and his tombstone. Here you can see
the astonishing Battersea Cauldron, which dates to perhaps 800 years before
Christ and still looks remarkably beautiful and carefully put together. Here
are pages from a book called Ortus
Sanitatis, showing a real-world potions master and his students (some of
whom look distinctly inattentive). Here are some of the volvelles (rotating
paper models) created by Petrus Apianus (1495-1522) to reproduce the movement
of the planets. Here is a deck of unusual 18th-century playing cards
used in cartomancy – a form of divination – and inscribed with the names of
Merlin, Faust and Nostradamus (the first two being legendary and the third
real, showing the interplay of reality and fiction even in our own world). Here
is a picture, from an 18th-century book, of a giant, bird-eating
spider, a creature long thought to be fictional but eventually proved real –
juxtaposed with Jim Kay’s illustration of Harry and Ron encountering the giant
spider Aragog.
And there is much more. Short
paragraphs of facts detail, for example, what a bestiary is and how real-world wands
originated (as bundles of twigs used by priests to call spirits). Also here are
plenty of magic, or magic-like, activities to try. For example, there is a
step-by-step way to make a “ghost in a bottle” with cold water, food coloring,
and a little ingenuity. There are instructions to make color-changing flowers,
even ones that take on two different colors at once. And there is a way to make
a dragon’s egg – or something that looks like one, anyway. Add to all this looks
at some crystal balls and Chinese oracle bones, a paper showing how the word
“abracadabra” was supposed to be used to cure malaria, a photo of a real (and
extraordinarily humanlike) mandrake root, a bezoar stone (supposed to protect
against poisons), and a great deal more. And then add references to Rowling
material that goes beyond the original seven novels, including Fantastic Beasts and Where to Find Them
and the stage play, Harry Potter and the
Cursed Child. What this all adds up to is a wonderful and wonder-filled
tour of the world of Harry Potter, how and where that world intersects with our
own everyday one, how Rowling got the inspiration to bring the two worlds
together, and how magic – even if it does not work in our world the way it does
in Harry’s – is everywhere around us and has been for thousands of years. Harry Potter: A Journey Through a History of
Magic is a trip through time, through alternative realities, and through a
series of now-classic books that deservedly retain their fascination for
younger and older readers alike, and are now poised to begin enchanting an
entirely new generation of soon-to-be Potterphiles.
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