Nine of Stars: A Wildlands Novel.
By Laura Bickle. Harper Voyager. $7.99.
Shadow House #2: You Can’t Hide.
By Dan Poblocki. Scholastic. $12.99.
Anyone living in an area in
the grip of winter and finding things not cold enough can come to these books,
one for adults and one for young readers, for an added helping of chills. Some
of the usual willing suspension of disbelief is required, of course; and as is
often the case with dark fantasy, a larger helping helps. In the case of Nine of Stars, that disbelief suspension
gives entry to an unusually well-written, if entirely genre-bound, novel that
is supposed to be the first of a series – but, unfortunately for readers,
really isn’t. There is very considerable backstory here, and Laura Bickle uses
it skillfully to give her characters greater depth than is usually accorded to
participants in supernatural fantasy. The very first time readers meet geologist
and protagonist Petra Dee, in a doctor’s office, Bickle draws attention to the
scars on her arms: “a burned handprint, slashes, and a pale speckle from
corrosive acid,” and then has Petra muse about the handprint being the last
touch of a dead lover, the slashes being from an attack by a drug lord, and the
speckle coming from the blood of a basilisk. This instantly and effectively
shows readers that Petra lives in a world like and also quite unlike ours, and
gives a hint of her background, prior adventures and how she has become the
person she now is. It also immediately piques the reader’s curiosity – but
Bickle does not give detailed information on Petra’s intriguing past, leaving
readers hanging. The same is true for Petra’s boyfriend (and, later, husband),
Gabriel: we quickly learn that he is a once-supernatural creature turned fully
human. In his case, that fact does get explored more fully, because of its
importance to the plot – but of his earlier life, we get at most dribs and
drabs rather than the fuller explanation that Bickle makes readers eager to
obtain. And then there is Petra’s father, a fascinating minor character who is
an alchemist but not quite in his right mind because of early-onset Alzheimer’s,
and is in a nursing home and only occasionally lucid – what exactly is his story? And what is the background of
another intriguing minor character, Maria Yellowrose? These and other
difficulties with Nine of Stars flow
from the fact that the book is not really the first in its sequence. It is Bickle’s
third book, after Dark Alchemy and Mercury Retrograde, but the first two
were digital-only publications that readers of traditional printed books are
unlikely to know. Nine of Stars
actually continues the stories of the earlier novels, so Bickle’s brief
back-references to prior events make sense to anyone reading this book as a new
adventure – but remain tantalizingly opaque to people meeting Petra here for
the first time. The story of Nine of
Stars is nevertheless an effective and well-told genre tale. It involves
supernatural evil dwelling in and emerging from the vast wilderness around
Temperance, Wyoming, where Petra and Gabe live. Gabe, although now human, is
150 years old and a former Pinkerton agent, transformed by alchemical processes
into something called a Hanged Man; he is the last of that kind, all the others
having perished when a nasty piece of work named Sal Rutherford burned a
mystical and potent tree called the Lunaria. Rutherford’s cousin, Owen, is now
sheriff in Temperance, and he is probing the death of Sal and the Hanged Men
(not that he knows that is what they are). This puts him on the trail of Gabe
and Petra, who are themselves on the trail of a strange wolf-killing
supernatural being called Skinflint Jack. There is really quite a lot going on
here, and Bickle juggles the various plot elements skillfully and writes about
them convincingly, pacing the book well and keeping its progress satisfying
while leaving plenty of room for successor novels to explore the territory further.
Nine of Stars is well crafted and
well presented – although the abrupt cliffhanger ending is a cheap trick, well
beneath the quality of what has come before. In general, the characters are
interesting enough so readers will want to know more of them in the future. But
the full flavor of the book is missing, except for digital-novel-oriented
readers who already have more information on these characters’ pasts than
Bickle reveals here.
The pasts do not much matter
in Dan Poblocki’s Shadow House trilogy,
and in any case the characters do not have them going back very far – this is a
novel for preteens and young teenagers, after all. The house of the series
title is described as a place “where past and present intertwine,” but really
it is simply a place where various spooky things happen for no particularly
discernible reason, until some sort of explanation is pulled out of pretty much
anywhere or nowhere. The second book in the series, You Can’t Hide, follows essentially the same path as the first, The Gathering, in which the five
protagonists of the series were brought to the house through different means:
Poppy, living in an orphanage, got a letter inviting her to live in her
great-aunt’s mansion; Marcus was invited to a music school; Azumi was invited
to a school as well – in her case, a prestigious and academically challenging
one; and brothers and sitcom stars Dash and Dylan were invited to film a horror
movie. Someone nefarious is pulling the strings here – that is for sure, and is
always the case in books of this sort – and You
Can’t Hide starts with Dylan meeting someone who fills the evil-character
bill, a person named Del Larkspur who manipulates or hypnotizes or otherwise
squooshes Dylan into a role called “The Trickster.” Then the four other group
members find themselves separated – of course, since that weakens the group
dynamic that lies at the center of success in books for this age group. The
separation happens after a confrontation with two honest-to-goodness adults who
turn out to be neither honest nor good nor, it seems, adults: they are the
usual shadowy and drooling figures of evil who adorn
not-very-creatively-haunted houses. “What’s wrong? Only everything!” muses Dash at one point, in what passes for
introspection here. Actually, that summation is just about right. The house
changes shape for no apparent reason except to confuse the stalwart kids; and
oddities appear as needed, such as a second Azumi – no one is sure who is who,
but at least the two are readily distinguishable because one has short hair and
one has long hair. “Everything here is trying to divide us up. We have to stick
together,” says sensible Poppy, and she is as correct in her observation as
Dash is in his. For his part, Dylan, who is a little slow on the uptake,
eventually realizes that the mask Del gave him – and which Dylan finds he
cannot remove – is in charge of his actions: “Dylan knows that he’s not in
control anymore.” Another trenchant observation. Eventually the plucky kids
meet Cyrus Caldwell, the onetime director of Larkspur Home for Children, which
is what the building was before it became Shadow House – but instead of being a
tower of evil, he is a sick, disfigured, stuttering old man who, when Marcus
says he is evil, replies, “Oh, how I w-wish it were that simple.” Really,
although matters here are not simple, they are certainly formulaic, and it is
quite certain that all will be revealed and explained in the forthcoming third
book of the Shadow House trilogy. And
it is likely that in that book as in this one and the first, Poblocki’s creepy
illustrations will do a good deal more to produce wintry chills than will his
straightforward writing style and mostly easy-to-anticipate plot twists.
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