Maple & Willow’s Christmas
Tree. By Lori Nichols. Nancy Paulsen Books. $16.99.
Prissy & Pop Deck the Halls.
By Melissa Nicholson. Harper. $17.99.
Clark the Shark Loves Christmas.
By Bruce Hale. Illustrated by Guy Francis. Harper. $17.99.
The Christmas Boot. By Lisa
Wheeler. Illustrated by Jerry Pinkney. Dial. $17.99.
Five Little Elves.
Illustrations By Dan Yaccarino. HarperFestival. $6.99.
Stories with warmth to
counteract the seasonal chill of winter are a mainstay of children’s books with
a Christmas theme, providing authors and illustrators with opportunities to
present new series entries with tie-ins both to the holiday season and to
earlier entries in multi-book sequences. Lori Nichols does just that in Maple & Willow’s Christmas Tree, in
which the charmingly arboreally named girls encounter an unanticipated problem
that leads to some friction before they find a suitable – and suitably pleasant
and amusing – solution. Big sister Maple and little sister Willow have a great
time getting ready for Christmas, and are delighted that this year they can
pick out a real tree to decorate for the holiday. And they soon agree on one,
and everything is delightful when they bring it home – until they get it into
the house and Maple starts sneezing. It turns out that she is allergic to the
tree, so the girls’ never-seen parents have to get it out of the house. They
put it right outside a window, where the girls can see it, but that isn’t the
same as having it indoors, and Willow is upset enough to hurt Maple’s feelings:
Maple apologizes, overstating the case, for having “ruined Christmas,” and
Willow says, “I’m sorry you ruined Christmas, too.” But then, at bedtime,
Willow feels bad for hurting Maple’s feelings, and she comes up with a way to
make things right – which leads to a nighttime scene of the girls, one in
striped green footed pajamas and one in striped red ones, discovering Willow’s
very clever solution to the no-tree-in-the-house situation. To cement the
wonderfulness, Willow, whose turn it is to put the star on top of the tree,
instead hands it to Maple to place atop Willow’s non-tree creation – as warm an
affirmation of sisterly love and Christmas spirit, combined, as kids are likely
to encounter.
The “buddies” angle is a bit
odder where Priscilla and Poppleton are concerned, because Prissy and Pop are
pigs. Really. As in porcine beings. They are very small – mini-pigs, to be
precise – and Melissa Nicholson has done a series of books about them to
complement their Instagram appearances online. The fun of Prissy & Pop Deck the Halls lies in watching the seasonally
dressed little pigs – who start off the book wearing green Santa-focused
pajamas, with Prissy sporting a big red bow as well – do their best to get into
the Christmas spirit. They do this by trying to decorate a tree (producing a
mess in the process), making cookie dough (and only eating a little of it),
creating a card for Santa, and so on. Yes, the activities are mundane, but the
point is that these are pigs doing
them, and kids will enjoy the scenes of P&P doing this and that as much as
they will like seeing the different seasonal outfits that the mini-pigs wear
without apparent concern or complaint. Of course, it is impossible to see
Prissy and Pop actually decorate a gingerbread house, but the picture of them
next to it (Prissy now sporting a large green bow) is cute, and the seasonally
colored outfits, stocking caps, popcorn-and-punch-bowl poses, and other amusingly
photographed antics will delight P&P fans. The photo in which both pigs have
their mouths open, as if singing carols, is especially silly, and Nicholson
clearly has fun not only with the pictures but also with the text: “Prissy and
Pop change into their piggie pajamas. …They hang their little piggie
stockings.” Christmas morning brings exclamations of “Oh my piggie goodness!”
and “Oh good piggy golly!” And the final picture, showing P&P together in a
box covered in red-and-white striped wrapping paper, neatly wraps up all the
holiday festivity.
Prissy and Pop books are
pure fun, but Bruce Hale and Guy Francis look for a bit more than that, in the
form of simple, easy-to-communicate lessons, in their Clark the Shark tales –
including the latest, Clark the Shark
Loves Christmas. The thing about the title character is that he is much,
much bigger than the other fish in the books and much, much, much toothier, but instead of being any
sort of threat to anyone, he is simply a good-natured, bumbling and (to be
honest about it) not-too-bright shark with a lot to learn about almost
everything. That he does learn, and
retains his pleasant nature and ability to make and keep friends despite his
frequent wrong-headedness, is the point of these books. Like others in the
series, Clark the Shark Loves Christmas
starts with Clark overdoing things because he does not quite understand
appropriate behavior. Because he loves Christmas so much, Clark is
over-enthusiastic about decorating the green-coral tree, and almost knocks it
down; because he loves cookies, he tilts the whole plate of them into his
mouth; because he loves caroling, he sings so loudly that all his schoolmates
look suitably dismayed. Clark’s best friend, Joey Mackerel, tries to bring
Clark down to earth – or down to the sea floor, anyway – but with not much
success. Clark first does not understand the class Secret Santa plan, then
misinterprets it, then spends his time trying to figure out who in class will
be giving him a secret gift and what it will be, and finally realizes that he
completely forgot to get a gift for Benny Blowfish, whose name he has drawn.
Clark eventually solves his problem – he always does – but a lot of the fun
here is from seeing the gifts that various characters receive: a hula hoop for
Amanda Eel, for example, and multiple pairs of socks for Sid the Squid. Clark
has given up his favorite comic book as his gift for Benny, having come
belatedly to understand the importance of giving in the Christmas season – and
everything works out just fine when Clark gets
the same comic as his gift. And so
Clark learns yet another lesson, as Hale and Francis make sure that, once
again, he looks large and toothsome
but is really just a little kid, often confused but always with his heart in
the right place.
There is a lesson in The Christmas Boot as well, but it is
neither simple nor straightforward; nor is the book a once-over-lightly in any
way, despite the foundational simplicity of its story. It is one of a subgenre
that could be called “Christmas miracle” books, but it is not religious –
although it certainly has a spiritual dimension. It is an exceptionally
touchingly told tale, with Lisa Wheeler’s prose flowing beautifully, almost
poetically; and the illustrations by Jerry Pinkney are exceptional as well –
Pinkney creates the book’s world with such care that it is almost palpable. The
story is of an old, poor woman named Hannah Greyweather, who finds a lost boot
in the forest one day while she is gathering kindling and trying to cope with her
near-freezing, rag-wrapped feet. The boot somehow fits itself to her left foot,
making her feel warm for the first time in who-knows-how-long; and at home that
night she only wishes she had its mate. Sure enough, the right boot appears
overnight – and the next night, after another wish, Hannah has some warm
mittens as well. She makes some bigger wishes offhandedly, and they too come
true, but they do not quite fit her: she knows the elegant, large house she
wishes for is not really right for her. Then the owner of the lost boot turns
up – kids will recognize Santa Claus, but he is never named here and appears
simply as a stranger at the door, seeking warmth and conversation. He and
Hannah share both, she returns his lost boot, and everything she got by magic
disappears – but the magic of Christmas does not. The simple, homespun way that
Santa rewards Hannah – a way that grants her deepest wishes and one that does
fit her perfectly – leads to a conclusion so heartwarming that adults who read The Christmas Boot with their children
will have a hard time holding back tears. This is a book that is beautiful on
all levels: beautiful to read, beautiful to look at, and with a beautiful
message to contemplate. Even children who are almost past the picture-book
stage will not be too old for this very special volume.
Santa and his environs are
handled much more cutely and amusingly for younger kids, up to age four, in the
board book, Five Little Elves. Dan
Yaccarino’s illustrations make the simple story into a light and pleasant
seasonal treat. The five green but otherwise very-different-looking elves
appear on the cover amid a pile of gifts, and Yaccarino uses color cleverly to
make the brief text appealing to very young children. The first elf holds a
bright red-and-white hat while wondering where Santa is; then the elves are
seen with brown reindeer getting ready for their flight; next, there are
multicolored snowflakes, with one elf sticking out his green tongue to catch
them while the others smile upward; and then all the elves, eyes closed, are
seen thinking about bringing “great joy to every little girl and boy.” A
pack-the-sleigh scene has packages in various colors and patterns, and the
final page shows the five elves, lined up in order of size, waving to a
silhouette of Santa and the reindeer as the sleigh flies in front of a
brilliant full moon. There is enough visual interest in Five Little Elves so the book will be enjoyable to read to babies;
but it makes sense that it is intended for ages newborn to four, because kids
just learning the basics of reading by identifying a word or two will also like
the simple seasonal story, right through to a final picture of the five
super-happy-looking elves on the back cover.
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