A Practical Wedding Planner: A
Step-by-Step Guide to Creating the Wedding You Want with the Budget You’ve Got
(without Losing Your Mind in the Process). By Meg Keene. Da Capo. $19.99.
Worm Loves Worm. By J.J.
Austrian. Illustrated by Mike Curato. Balzer+Bray/HarperCollins. $17.99.
They used to go together
like a horse and carriage – does anybody even remember that song? – but these
days, love and marriage seem to go together only incidentally, or for the
purpose of “making a statement,” or as an affirmation of one’s faith (for
marriages performed in religious settings) or declaration of independence from
spirituality (for civil weddings, beach weddings, mountaintop weddings, etc.).
This makes Meg Keene’s A Practical
Wedding Planner a touch quaint with its naïve assumption that weddings are
“all that,” even though Keene is smart enough to know that sometimes they are
all that one needs to take the great leap into losing your mind (hence Keene’s
subtitle). Keene posits that A Practical
Wedding Planner will be used as an encyclopedia, not read cover-to-cover as
a guidebook, and that is a good thing, since the sheer amount of detail and
option discussion and expert opinion and “pro tip” material will quickly become
overwhelming to anyone who tries to read the book straight through. In truth,
not all of what is here is necessary for wedding planning, thank goodness. “If
you have a wedding with every single element included in this book, you’re not
having a wedding; you’re having some sort of three-ring circus,” Keene opines,
and that is a highly useful perspective – except for the fact that some people want to have a three-ring circus of a
wedding, and certainly the wedding industry does everything it can to encourage
that mindset (it “is mostly trying to sell us more things” – well, duh). A Practical Wedding Planner is a highly
useful and plainspoken guide to the intricacies of arranging your own wedding,
with some very helpful checklists and spreadsheets in the back that can assist
with everything from budgeting to a highly specific timeline for the event
(“guests seated for dinner, 6:00 pm; first guests to buffet, 6:10 pm; last
guests through buffet, 6:30 pm; toasts—four total, 6:30 pm; first dance, 7:10 pm”
– and on and on for a total of 35 entries, each with four columns labeled
“when,” “what,” “where” and “who”). There is material here on bridesmaid
dresses (“the perfect dress that everyone will like does not exist”) and on
buying a wedding gown from China: “Dress will generally be made from a cheap
fabric. …Detailing will be sub-par. Workmanship will generally be a little
shoddy. …But alright [sic] already!
You’re a woman of daring and risk, and you want to give this thing a whirl!
Here is what you need to know….” And so
on. And so on. And so on. Want to
know what to expect of a DOC (“Day-of Coordinator”)? That’s here. Pluses and
minuses of “officiants,” whether clergy, civil servants, officiants-for-hire or
friends and family? Yes, that’s covered. Hiring a DJ and choosing music? Oh
yes, that’s here – and it shows some of the predilections and prejudices with
which Keene approaches wedding planning, with which it is important to be in
sync in order to get value from this book. “The older crowd is going to be out
in force for the early part of your set. Play some classics everyone will like
early on, then work your way up to that old-school hip-hop after Nana has gone
off to bed. ..Your average pop song is long…[so] cross-fade…before that
eight-minute song has run its course. …Nobody’s gonna dance if you’re not
dancing.” A Practical Wedding Planner
strives mightily to be simultaneously up-to-date and sensitive to tradition –
the section on addressing wedding invitations is a good example – and ends up
being something of a mishmash; but then, encyclopedias always are. The book has
a very thorough index, some of whose entries are themselves worth reading:
“Colorado, self-solemnizing marriage in,” for example, and “botanical gardens
wedding with 65 guests, budget pie chart example for,” and “mason jars,
estimating amount of alcohol needed for serving in.” Anyone who thinks the
whole wedding-planning concept is faintly ridiculous (maybe not so faintly)
will have that impression confirmed here; anyone who takes the whole thing
seriously enough to believe that a onetime party somehow has something to do
with living with another person for an extended period – a notion right up
there with the horse-and-carriage notion of being wed – will also find
confirmation.
And what about love? Oh
yeah, that. Well, one would expect a
level of charm and simplicity about the feeling in books intended for children,
and one would often get it. But just as A
Practical Wedding Planner tries to guide adult readers through and among
the many intricacies and traps of the love-and-marriage maze, while subtly
introducing its author’s own predilections, so some kids’ books seem designed
to inculcate values even as they appear, on the surface, to be simple appreciations
of love. Worm Loves Worm is one such
– an unlikely-on-the-face-of-it advocacy book that families must be careful not
to pick up unwittingly, but that some families will find a very useful story of
what love and marriage mean in the contemporary United States. Worm Loves Worm looks like pretty much
any recent picture book, and it reads that way at the start, too, with two
worms deciding to “be married” because they love each other. In the absence of A Practical Wedding Planner, the worms
take advice from various insects. Cricket, standing on hind legs, wearing a
vest and glasses, and clutching a book, is clearly the right “someone to marry
you.” In fact, “That’s how it’s always been done,” Cricket explains. Beetle
offers to be “best beetle,” and the Bees say they will be “bride’s bees,” which
is all well and good. But what about rings? Worms have no fingers! Well, “we
can wear them like belts,” they decide, and since they do not have feet to
dance with, they “can just wiggle around.” J.J. Austrian’s point, of course, is
that love and marriage transcend the trappings of weddings – an unexceptionable
message, to be sure. But then the book turns in an unexpected direction, as
Worm and Worm say they both can be
the bride and both can be the groom –
they are, after all, identical in appearance – and even though Cricket reminds
them that “that isn’t how it’s always been done,” Worm and Worm insist on
getting married anyway, “because Worm loves Worm.” Somewhere along the way, a
cute book about love and marriage has turned into an advocacy work about
same-sex marriage, carefully structured by Austrian and illustrator Mike Curato
– who himself is in a same-sex marriage – so that the primary message emerges
slowly and even a bit slyly, well after all the marriage trappings have
appeared in a forthright way. Same-sex marriage is now legal in the United
States, but that does not obligate anyone to accept it, agree with it or give children books supporting and advocating it – opponents emphatically do
not believe that the statement that “Worm loves Worm” supersedes “how it’s
always been done.” Families that do believe in same-sex marriage will find Worm Loves Worm an enjoyably simple
explanation of what proponents have said for some time, with pleasant
illustrations that end with even the clergyman-like cricket smiling approvingly
at the newly married couple. But families that pick up the book on the basis of
its pleasant illustrations or the first few pages of text may find themselves
surprised to be pulled into the middle of a legal decision that remains highly
controversial and, to some people, highly objectionable. This is a book that
parents should definitely read on their own before reading it to children or
having children read it themselves: it raises issues that, wherever a parent
stands on the sociopolitical spectrum, a child is likely to want further
explained after the book is over.
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