Why
Did the Monster Cross the Road? By
R.L. Stine. Illustrated by Marc Brown. Orchard Books/Scholastic. $18.99.
What happens when two of the really big names in children’s books, R.L.
Stine of Goosebumps notoriety and
Marc Brown of Arthur fame, create a
picture book together? The answer is that their sense of humor devolves so far
toward early childhood that they produce the assemblage of utter ridiculousness
that is Why Did the Monster Cross the
Road?
The inside front cover and facing page, and
the inside back cover and facing page, are all filled with word balloons packed
with comic-book-style laughs, from “tee hee hee” to “giggle giggle” to
“ahahahaha” to “snicker!” And the book itself is at that same level of humor.
The story, such as it is, is about two silly-looking monsters named Hunny and
Funny. Hunny is small and feeling sad and grumpy, so Funny – who is big and not
grumpy at all – tells Hunny a series of jokes to cheer him/her/it up. They are
all at the level of the book’s title, to which the answer turns out to be, “To
BITE someone on the other side.” But for some reason, none of these forays into
funniness makes Hunny feel better.
“What is the monster’s favorite school lunch? The teacher.” “Why did the
monster peel a banana? Because he couldn’t peel a bowling ball.” “What is furry
and likes to read books? YOU (if you were furry).” OK, that last one is pretty
good, but neither it nor any of the other attempted jokes does anything to make
Hunny happier.
Even the youngest readers, and perhaps even pre-readers, will quickly
see where this is going: Funny will eventually give up, and at that exact
moment, something will happen that Funny does not intend to use to amuse Hunny, but it will amuse Hunny, and everything will end happily.
Lo and behold, this is exactly what happens, likely not to the surprise
of any reader, furry or not. Stine certainly deserves credit for being willing
to assemble such a set of thoroughly unfunny but well-meaning monster-focused
jokes, but it is Brown’s illustrations that really carry the book along,
showing ridiculous monstrousness in all its amusing ingloriousness: the soaking
wet monster with six arms, the 20-chicken-eating one that has enormous eyes and
giant teeth (and is surrounded by bewildered-looking chickens), the one called
Cutey Face that has “yellow drippy eyes, a long gooey nose covered in lumpy
warts, and a mouthful of green decayed teeth” – these and others are so much
funnier than the jokes that Funny should just have shown Brown’s pictures to
Hunny to snap him/her/it out of those gloomy feelings.
Well, what ultimately matters is that Hunny does feel better by the end of the book, and Funny is responsible for that, albeit not in the intended way, and Stine and Brown manage to show that whatever talent they had for developing the Goosebumps series and the various Arthur offerings is quite unnecessary for them to produce a book for very young children that is, on its own terms, one heck of a lot of fun. Why did Stine and Brown cross over from their usual neighborhoods into this one? Apparently the reason they did – and the real reason the monster crossed the road – was simply to prove that he/she/it/they was/were capable of doing so.
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