Wallace the Brave 3: Wicked Epic Adventures. By Will Henry. Andrews
McMeel. $11.99.
Where, Oh Where, Is Barnaby Bear? By Wendy Rouillard.
Andrews McMeel. $8.99.
Slightly skewed versions of everyday
childhood events are the stock-in-trade of Will Henry’s gently evocative Wallace the Brave comics, whose third
book collection focuses mostly on Wallace and best friend Spud – although
Wallace’s other best friend, Amelia, gets her due, and so does Wallace’s
distinctly peculiar little brother, Sterling. There is an underlying pleasant
warmth to all the quotidian doings in Wallace
the Brave, with the world mostly perceived and experienced through
children’s eyes – a refreshing approach in our ultra-cynical era. Wallace and
his family and friends have only the slightest contact with technology
(Wallace’s dad is a lobster fisherman), and most of their interactions feel
timeless. One strip has Wallace and Spud “hitchhiking to Bolivia,” with Wallace
carrying the traditional and very old-fashioned bundle of belongings tied to a
pole. One has Wallace and Spud contemplating the freedom of summer vacation,
which to Wallace means “freedom to do whatever we want” and to Spud means
“freedom to order a large pizza with any
toppings we desire” – and when Wallace urges Spud to “think bigger,” Spud says,
“Extra large.” Summer vacation is also Wallace’s cue to engage in “the
tradition of casting them [his shoes] into the depths of the ocean,” since he
will not be wearing them for three months. Wallace
the Brave includes a certain amount of fantasizing – particularly nicely
drawn by Henry – such as Spud figuring out that his superpower is to “take naps
on criminals to slow them down” (the panel showing him doing just that is
delightful); and Spud fearing bridges because “one day a troll is gonna pop out
and ask me topical trivia questions” (and the immense, looming troll asking
“what is the northernmost state capital?” is perfect). If Spud, with his large,
refrigerator-shaped head, is always a bit askew in the world, Wallace has his
own run-ins with reality. In one multi-strip sequence, Amelia produces a
“Tibetan red head chili pepper” so hot that “I needed a fake I.D. to buy this
baby,” and of course Wallace eats it, and the multiple drawings of his
reactions are hilarious – right up to the one in which he exclaims, “I can
smell the light!” This is also a rare technology-including sequence, showing a
Tibetan pepper-growing monk talking on a cell phone and Amelia taking a video
of Wallace’s crazed pepper reaction and saying, “This is gonna get a bazillion
views.” The characters in Wallace the
Brave have distinctive personalities, and stay so true to them that the
occasional deviations are themselves topics of Henry’s humor. Thus, one strip
here has Amelia talking in a decidedly non-Amelia way to another girl who
invites her for a visit (“I’m, like, super
totally thrilled” and “T-T-Y-L”) – then explaining to Wallace that “her house
has central air.” That is definitely Amelia; and Wallace and Spud are equally
definitely themselves; and even Wallace’s parents and brother Sterling are
characterized cleverly and precisely. Only Wallace would describe “a sweet job”
as being one where you are “the person who wears slabs of butter and skates
around Paul Bunyan’s pancakes,” and only Henry could visualize that scene so
unerringly – or add to it with Spud’s remark, “I once ate a stick of butter in
two bites.” Wallace the Bold does not
go boldly into new territory so much as it perfects a journey into the
well-worn but always fascinating realm of childhood wonder and almost-reality.
Wallace the Brave is a comic strip for adults, but the notion of everyday adventures works for children, too – even very young ones. In fact, fantasy-adventures in books for the youngest readers and pre-readers can be a lot of fun and can help introduce children to the overall notion that books can take you anywhere and “anywhen.” Wendy Rouillard does just that in a charming little board book called Where, Oh Where, Is Barnaby Bear? It opens with a nighttime scene of anthropomorphic animals using flashlights to search for Barnaby, and continues with simple and nicely done illustrations showing lots of possible places where Barnaby could be. “Is he in a balloon?” He is seen floating above a shoreline, with a lighthouse below and a smiling whale in the water. “Has he flown to the moon?” The moon, planets and stars smile at Barnaby in his spaceship, which has a bold “B” on the side. The initial also appears on an aircraft and bear-sized helmet: “Is he flying a plane?” Or, perhaps, “Is he caught in the rain?” No initial in that illustration – just Barnaby in slicker and galoshes beneath a multicolored umbrella. Wherever Barnaby is, or rather may possibly be, he is shown smiling and enjoying himself, and the creatures around him are happy, too, including fish when Barnaby might be fishing and crabs when he may be “filling his net with crabs at sunset.” Eventually, children find out just where Barnaby Bear is: asleep in his cozy bed with the animals seen at the start of the book, and with the moon and a star smiling in on the scene. So a bedtime story turns out to be what this book is – but it is also an easy-to-follow adventure tale and maybe even, if adults suggest it to kids, a story about dreams, for all Barnaby’s imagined activities could simply be things about which he is dreaming while peacefully asleep. There is nothing grand or large-scale here – just a sense that it is fun to imagine all sorts of out-of-the-ordinary activities while home, safe, in bed.
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