The Fire Wish. By Amber
Lough. Random House. $17.99.
The Year of Chasing Dreams.
By Lurlene McDaniel. Delacorte Press. $16.99.
The Life and Times of Benny
Alvarez. By Peter Johnson. Harper. $16.99.
Angst is a given in books
for teenagers, because, after all, what else is there in the teenage years except angst, all the time and in all
places and under all circumstances, now and forever? Or so the flood of “young
adult” books would have it. It seems that the best way to escape one’s
angst-soaked life is to read about other teens’ angst-soaked lives – and the
setting scarcely matters, because obviously all teens, in all times and all
places, share the same sensibilities, worries, concerns, troubles and, lest we
forget, angst. This even applies in the world of One Thousand and One Nights, which is more or less where the quasi-exotic The
Fire Wish takes place. Amber Lough’s concept is that a teenage Arabian
princess and even a teenage (or might-as-well-be-teenage) jinni think, talk,
feel and worry exactly as 21st-century teenagers do, and about
essentially the same things: coming of age and falling in love, in particular. Accept
this premise and you are well on the way to enjoying The Fire Wish, in
whose fantasy setting the jinni Najwa and princess Zayele change places after
Zayele captures Najwa and wishes them exchanged, body and soul. Well, actually
not soul, or there would be no point: what has to happen here, and therefore
what does happen, is that each retains the same personality but both have simply
swapped bodies. Somehow this is supposed to simplify Zayele’s life – her
motivation is that she is being sent to marry a prince of Baghdad and is
determined not to do so, because everyone knows that princesses in fantasy are
just as headstrong and determined and independent and self-aware as…well, as the
21st-century teenage girls who read about them. Over on Najwa’s side
of things, the issue is that Najwa, before her transformation, was in training
as a spy in the war between her kind and humans – oh yes, there is a war on,
somewhere in the background. Hey, what a great spy Najwa would make if she
could become a human! She could even find out what information on Zayele
the other jinn are hiding from her! Of course, the transformation is against
her will, but that is not the major complication in The Fire Wish. What does
complicate things is – no surprise whatsoever – love. In fact, Najwa and
Zayele, whatever their shapes and whatever their respective species, both have
the same heartfelt need to feel their hearts pulsating with longing, and
luckily enough, there just happen to be desirable and highly attractive young
men who, if they are not enemies, will probably turn out to be perfect love
objects. How neat is that? Prospective readers who answer “very neat” will
enjoy the way Lough works things out.
“Enjoy” is not exactly the right word for The
Year of Chasing Dreams and the other angst-drenched, death-obsessed novels
by Lurlene McDaniel – books such as Too Young to Die, Until Angels Close My
Eyes, Till Death Do Us Part, Time to Let Go, Baby Alicia Is Dying, She Died Too
Young, Please Don’t Die and many, many, many others in the same
vein. Talk about an acquired taste: these tremendously formulaic
box-of-tissues-per-book novels are intended to show teens that, hey, death
isn’t so bad after all even though it is, of course, really really sad and
really really tough for the ones left behind, but it opens the way to new
beginnings for everyone, including dead people, and gosh, it is just so
terribly terribly terribly cathartic (not that McDaniel would ever use so
difficult an adjective). The Year of Chasing Dreams is a companion to The
Year of Luminous Love and a follow-up to the digital-only short story, Wishes
and Dreams, both of which trace the wondrousness and, yes, angst of the
relationship between Ciana Beauchamp and Jon Mercer. When they are
together, the joy is unbounded (well, except that she also finds him
infuriating). When they are apart, she desperately turns her thoughts in every
possible other direction (well, except that then he gets into her dreams). McDaniel’s
writing goes beyond fluent cliché into heard-it-a-thousand-times-and-more-land:
“His hand swept in an arc, at a canopy of stars so vast that they seemed to run
together like a smear of glowing paint. ‘Can you count the stars, love?’ ‘I’ve
never seen so many,’ she said in absolute awe. ‘But I guess they’re always
there, aren’t they?’” Oh yes, they are, and so is dialogue of this sort, and so
are the inevitable tragedies and misunderstandings and weep-able moments and
heartache and heartbreak and loss and recovery and….for non-fans of McDaniel,
there is really no way to communicate the awfulness of her writing and plots.
But fans can, will and do lap this up. A non-fan feeling generous would give The Year of Chasing Dreams a (++)
rating; a fan would give the book, and any
McDaniel book, all the stars there are, no doubt “in absolute awe.”
There is nothing
particularly awesome, but also nothing particularly awful, in Peter Johnson’s
(+++) The Life and Times of Benny
Alvarez, which is aimed at preteens rather than teenagers. The underlying
serious theme here is whether a glass is half-full or half-empty, as readers
find out right at the book’s start. Benny, a middle child, is very much on the
half-empty side of things, to the point that he is considered “Mr. Negativity.”
He does have things to be negative about: his beloved grandfather is becoming
increasingly frail because of a series of strokes; his younger brother, Crash,
is hyper and always in the way; his older sister, Irene, is stuck-up and a
know-it-all; and his parents – well, he does have parents, two of them, and
Benny does not realize how unusual that is in books of this genre, where
families seem almost always to be broken or about to dissolve. Still, the fact
that Benny’s dad is retired and his mom is a stay-at-home mother means that his
parents are around pretty much all the time, and that really would cramp
Benny’s style if he ever figured out what his style was. The Life and Times of Benny Alvarez is all about that figuring-out
– although we never learn just why Benny has such a negative outlook on life
when the book begins, since his circumstances are not and have never been
particularly bad, and his grandfather’s health starts to deteriorate
significantly only as the book progresses. Benny’s life contains all the
expected elements in a book for middle-schoolers, and no really unexpected
ones. He has two best friends, Jocko and Beanie. He has school issues, but not
serious ones – although he is less than enthusiastic about the new poetry unit
his class is starting until he realizes that a girl he sort of likes, Claudine,
enjoys poetry. Yes, Benny does have discovering-girls issues – not surprisingly
at all. In fact, there is very little surprising in this book, and Benny’s
personality is somewhat too low-key and drab for him to be an effective
protagonist. Kids who consider themselves quiet and somewhat overlooked in
their families and their classrooms will be best able to relate to and
empathize with Benny, who comes across as not a bad kid at all, but also not a
very interesting one.
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