Titanic: Voices from the
Disaster. By Deborah Hopkinson. Scholastic. $7.99.
Big Nate: I Can’t Take It! By
Lincoln Peirce. Andrews McMeel. $9.99.
Whether serious and somber
or slight and silly, some stories are told more effectively with intermingled
words and visuals than they would be with words alone. Titanic: Voices from the Disaster is really voices and pictures
from the disaster, not only photos but also such items as the menu for the
ill-fated ship’s First Class dinner, a partial transcript of post-disaster
testimony by a crew member, a distress telegram sent from the Titanic shortly before the ship sank,
and much more. These visual elements, plus photographs of crew members and
survivors, of the furnishings of the Titanic
(shown by using photos of the very similar ones aboard its sister ship, Olympic), of actual pictures of
lifeboats and artists’ often-fanciful depictions of the ship’s sinking, appear
throughout Deborah Hopkinson’s well-researched and well-written book, which
stands above the innumerable others on the Titanic
because it tells the story in simplified form – for young readers – but still
with a considerable amount of depth. Originally published last year for the 100th
anniversary of the ship’s sinking and now available in paperback, Titanic: Voices from the Disaster
humanizes the story by telling about individuals aboard the ocean liner,
quoting numerous people who were there or who reported on what happened, and
including wrenching letters written by survivors about what they endured and
the people they lost. The sinking of the Titanic
has been told many times and discussed not only in engineering terms but also
in many allegorical ways – often involving the claim that the ship was
“unsinkable,” in retrospect a statement of extreme hubris. But Hopkinson shows
that the tragedy of the ship’s destruction was above all a human one, affecting
not only those who lost their lives and their immediate families, but also
people throughout the world who found themselves touched in one way or another,
directly or indirectly, by what happened on the night of April 15, 1912. Titanic: Voices from the Disaster is
scarcely the last word on the ship; it is not intended to be. But it is a fine
overview of what happened, both descriptively and visually, and a highly
impressive job of historical research and of presentation that clarifies events
for young readers without over-simplifying a complex situation.
Simplification is what comic
strips are all about, but some of them still manage to use the
words-and-pictures format to tell interesting ongoing stories even as they
amuse readers. Lincoln Peirce’s Big Nate
is one such: the exaggerated antics of sixth-grader Nate Wright have just
enough reality underlying them to ring true to adults and preteens alike. In
the all-color, all-Sunday-strip collection I
Can’t Take It! are the usual elements of Nate’s world: annoying older
sister Ellen, completely clueless father, teacher-who-is-the-bane-of-Nate’s-existence
Mrs. Godfrey, well-meaning but irritating neighbor dog Spitsy, best friends
Francis and Teddy, and the numerous cartoon characters drawn by Nate himself –
Peirce says he was a budding cartoonist when he was Nate’s age, so of course he
has made Nate one as well. Nate’s cartoons – always in black and white – are
among the more unusual story elements in Big
Nate, featuring TV personalities Chip Chipson and Biff Biffwell, celebrity
psychologist Dr. Warren Fuzzy, another doctor named Luke Warm, show host Ken
Doolittle, and so on. Nate uses the comics to comment on the people and events
around him – and as often as not gets into more than his usual helping of
trouble as a result. Not that the usual helping is all that small: school-work
avoidance, relationship issues, family confusions, and Nate’s own inflated
sense of self-importance combine to produce plenty of opportunities for
self-humiliation, from which Nate always manages to bounce back (a big reason
for his attractiveness as a character). A collection of Sunday strips like this
one lacks the continuity of one that includes dailies, but Peirce does a good
job of keeping these Sunday ones self-contained while making sure they fit
firmly into Nate’s world. One strip has Francis and Teddy timing Nate to see
how quickly he gets detention – he manages it in 43 seconds, a personal best
(or worst). Another has the boys looking at a 15-year-old yearbook featuring a
“hot” teacher, who turns out to be Mrs. Godfrey before her marriage – resulting
in Nate feeling “very, very, very, very, very, very, very, very, very, very,
very, very sick.” Nate struggles with tests, sports, his always-jam-packed
school locker, his baseball team’s name (the Doormats), his crush Jenny, the
too-perfect exchange student Artur, and many more features and foibles of
everyday life. The melding of drawing and writing in Big Nate is always well done, with Peirce’s storytelling a seamless
blend of the verbal and the visual – and, consistently, a highly enjoyable
mixture.
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