Exclamation Mark! By Amy
Krouse Rosenthal. Illustrations by Tom Lichtenheld. Scholastic. $17.99.
Pigs in Pajamas. By Maggie
Smith. Knopf. $15.99.
Miss Pell Never Misspells. By
Steve Martin. Illustrated by Martin Remphry and Michael Garton. Scholastic.
$9.99.
The simple, hilarious
yet touching tale of a punctuation mark that, unlike all the round periods,
sports a long line atop his head, Exclamation
Mark! is all about finding fulfillment at the end of a sentence and
accepting that different characters all have their place in life (and writing)
and are all well-equipped for their purposes. The title character in this
latest delightful collaboration between Amy Krouse Rosenthal and Tom
Lichtenheld has the usual concerns of young children: he just doesn’t fit in,
isn’t like everyone else, and is “confused, flummoxed, and deflated” (with each
of those words causing his usually straight above-the-head line to droop in a
different way). Then the exclamation
meets someone (something?) else with an atop-the-head drawing, but while the
exclamation’s is straight, this one is hook-shaped. Yes, it is a question mark,
talking entirely in questions – incessant questions, repetitious questions (“Is
there an echo in here?” needs to be asked twice), an endless stream of
questions that becomes so out-of-control that the exclamation point eventually
yells, very loudly, “STOP!” Well,
“He didn’t know he had it in him,” but now he does, and as the questions
continue (at a slower pace), the exclamation mark “pushed himself a bit more,”
exclaiming more and more emphatically in “a world of endless possibilities,”
and then he rushes to all the periods to show them what he can do. Everyone is delighted, everyone is happy, the
anthropomorphized punctuation marks are adorable and genuinely funny, and the
book manages both to show how exclamation points and question marks are used and to make an effective point (that is,
a punctuation point) about the importance of being an individual and living up
to your particular role in life. Clever, very clever, from start to finish!
The story is more
straightforward in Pigs in Pajamas,
but this tale too has a lesson behind it: the many and varied uses of the
letter p. Penelope Pig has a sleepover party, for which she prepares with her
parrot watching all the activity and exclaiming, “Polly loves a party!” “Polly
wants a present!” “Polly wants a peanut!” The piggies at the party bring
presents, eat punch and pies and pudding, have pizza topped with pickles, pin
tails on a pony, play piano and prance about, then get so pooped that they pick
plop-down spots where they plump up pillows and fall asleep – without the usual
“z’s” indicating sleep because, as a mouse in the corner of the room points
out, “This book is about the letter P!”
And there is more here than just the story: the final page invites young
readers to search for many “p” objects in the illustrations – penguin, pillows,
pick-up sticks, pansies, piano, pancakes, pineapple, pigeons, perfume,
pincushion, and so on. Maggie Smith
keeps the poetry (another “p” word!) light and lively, the illustrations
amusing, and the whole production’s pacing perfectly pleasant.
Miss Pell Never Misspells is a more overtly instructional book,
offering memory techniques for language, math, geography, science, history and
other subjects. The book’s title shows its approach: the word “misspell” is
easy to misspell, but not if you think of it as “Miss Pell.” Along the same
lines, when learning a foreign language, you can remember that the Spanish word
for “whale” is “ballena” by picturing a whale dressed as a ballerina. The
sillier the association, the better, because it is the silliness that jogs your
memory. Subtitled “More Cool Ways to
Remember Stuff” and also published under the title In 1492, Columbus Sailed the Ocean Blue, this book offers acronyms
(PEMDAS [or Please Excuse My Dear Aunt Sally] for the order of operations in a
math problem: parentheses, exponents, multiplication and division, addition and
subtraction ); mnemonic images (to recall that the Antarctic is the south pole
area, not the north, imagine an ant heading south for vacation); and absurd
sentences (energy from the longest wave to the shortest can be recalled with “Rich
Men Inflate Vegetables Lovingly Using Xylophones. Great!” (The first letters stand for radio waves,
microwaves, infrared, visible light, ultraviolet, x-rays and gamma
radiation.) These techniques are applied
to all sorts of information: “Symphonies Played With Brilliance,” for example,
to remember the instrumental sections in an orchestra – strings, percussion,
woodwind and brass. But some memory aids are easier to use than others: there
is a perfectly reasonable poem containing the names of all of Shakespeare’s 38
plays, but remembering the poem is itself a considerable chore. Still, the basic approaches here are usable
in a wide variety of situations, and the discussion of techniques at the book’s
conclusion (explaining chunking, the memory palace and other approaches) can
help young readers construct their own memory aids for use in many circumstances.
There are also suggestions for memory games to play on your own or with someone
else – a way to make memorizing, which can easily descend into drudgery,
considerably more interesting and enjoyable.
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