Wumo: Something Is Wrong. By
Mikael Wulff and Anders Morgenthaler. Andrews McMeel. $14.99.
Friends and Frenemies: The Good,
the Bad, and the Awkward. By Jennifer Castle and Deborah Reber. Illustrations
by Kaela Graham. Zest Books. $11.99.
Guidebooks for life come in
many forms. Sometimes they are serious; sometimes they are humorous, skewed
ways of looking at the world – ones that elicit a chuckle or outright laugh,
helping you see things a bit differently and maybe get through your day a touch
more easily. The latter angle, using humor to highlight everyday situations, is
a very common one in single-panel cartoons: Close
to Home, The Argyle Sweater, F Minus, Speed Bump and others have refined
the approach, each in its own way. A new entrant in the field, named for the
first two letters of each of its creators’ names, is Wumo, and like the nonsensical title, the comics are high on the
nonsense scale. But they have enough perception and social commentary to be
more than “merely amusing.” And Wumo
has a European sensibility that helps set its panels apart from those
originating in North America: the strip is popular in Germany, Denmark, Norway
and elsewhere. One panel shows a man putting a costume on a microphone-holding
robot; the caption is “the reason all pop music sounds alike,” and costumes on
the wall are labeled “50 Cent,” “Madonna,” “Justin Timberlake” and “Milli
Vanilli.” Think about it. Elsewhere, “Murphy’s first attempt at writing his
law” shows a man trying to do just that with a badly leaking fountain pen. More
samples: a pod of whales is seen beaching itself and struggling to get to a
seaside Weight Watchers location. In the nonfiction section of a bookstore,
Winnie the Pooh, Mickey Mouse and Yoda are standing and talking: “I love these
kinds of books. They’re like a whole universe that you become totally absorbed
in!” Two woodpeckers are on a tree, one
pecking in the usual way and the other using a power drill. Frightened lions,
riding in a locked vehicle, observe corporate smartphone users during a “Safari
on Wall Street.” A “DIY leather sofa” from Ikea comes with a heavy mallet and a
cow. Some of these panels require more than a moment’s thought to get the point
– and that is all to the good, since the extra time usually results in
louder-than-usual laughter. Wulff, a stand-up comedian, encapsulates
modern-life absurdities with skill, and Morgenthaler’s distinctly odd-looking
drawings fit the often-peculiar concepts very well – as in the panel featuring
“12 Tykes Demolition,” which shows toddlers starting to dismantle a building as
their adult supervisor comments, “In 10 minutes, these babies will have the
whole thing torn apart!” That concept itself is funny – but for parents who
have seen what even a single little one can do to a house, it is twice as
amusing. Much of Wumo is like that:
it is not just the fact that something
is wrong that is amusing – it is how
the thing is wrong, and what that implies about modern society. Just imagine,
for example, “if people had acted like they do on Facebook when Facebook didn’t
exist.” The scene is an ordinary street, with a man yelling about his latest
relationship, another calling out through his window that he just stepped out
of the shower, and a woman telling the world, “Cookies taste good!” That is
funny in itself – and much more so in Facebook context.
“Friending” on Facebook is
an easy thing to mock, but the difficulties and pains of friendship, especially
in the already angst-laden middle-school years, are not at all funny for those
experiencing them. Friends and Frenemies
explores this territory with seriousness and a heaping helping of good
intentions – rather too earnestly, true, but in as well-meaning a way as
possible. Jennifer Castle and Deborah Reber describe what friends are, how to
make them, what happens when friends fight, what to do about gossip and rumors,
how to help a friend, and how to manage the thorny issues of opposite-sex and
long-distance friendships. To avoid seeming preachy or appearing to give lectures,
they enlist comments from “mentors,” teenagers who remember their recently
passed years as preteens (at whom the book is aimed). Castle and Reber also
include stories, quizzes, polls – lots of elements intended to make the book
interesting and “interactive” to the extent that that is possible in print. Much
of the material is simplistic or clichéd (“friends are the family we choose”),
but it is presented clearly and with empathy for preteens already involved in
all sorts of socially difficult situations. Castle and Reber try hard,
sometimes a bit too hard, to accommodate differing views about friends:
“Because we’re all different, we all want different things from our
friendships, but there are several qualities that rank pretty high on
everyone’s list of friend ‘must-haves.’” Although the authors repeatedly
recommend that friends work things out together, they also state many times that
when matters get serious, adult help is needed: “If it feels like you and your
friend have hit a wall or are going around in circles, it’s time to call for
backup. Talk to a teacher, school counselor, or other neutral authority figure
about helping you and your friend work out your differences. …Your parents or
older siblings can be leaned on, too.” This will be a bit of a tall order for
some readers, especially introverted ones and those with a dispiriting family
life. And suggestions from the “mentors” are not much better: “Usually what I
do to resolve a problem is give my friend and myself some time to cool down.” Still,
the authors try to point out ways in which preteens can handle not-too-serious
friendship matters on their own – and even some genuinely troubling ones, such
as rumor mongering, which Castle and Reber point out is a form of bullying. If
victimized, they recommend, try to find out where the rumor comes from and why;
see if someone you know is willing to take a stand by saying he or she knows
the rumor is not true; ignore the rumor-creating bully and stay calm if at all
possible; and then, predictably, if the rumor is a serious one, “it’s time to
get someone with authority, such as a school counselor or a teacher you really
trust, to help cool things off.” Friends
and Frenemies is a solid (+++) advice book that tries a little too hard to
find entertaining ways to present real-world issues: Kaela Graham’s illustrations
are too sweet, the “journal kickstart” sections are rather lame, and in terms
of identifying response patterns, would you, for example, rather be a “dirt
deflector” or “muddy waters” when it comes to gossip and rumors? However, the
chapter on helping friends is a particularly valuable one, and some significant
issues are raised throughout the book, although often only in passing: in the
chapter on opposite-sex friendships, for instance, there is a paragraph about
crushes on same-sex friends. It is hard
to see this book as a guide to making friends and becoming a friend, but
comparatively easy to see it as a place to turn when friendships become
difficult and young readers do not
feel comfortable going to a “neutral authority figure,” or do not have one they
trust.
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