Dinnertime for Chickies. By
Janee Trasler. HarperFestival. $8.99.
Just Grace #12: Just Grace Gets
Crafty. By Charise Mericle Harper. Houghton Mifflin Harcourt. $15.99.
Sometimes inspiration
strikes more than once. Or is it opportunity that knocks more than once? Either
way, some authors of kids’ books seem to be adept at ringing new changes on
their existing series well beyond what readers might expect – and readers get
all the benefit from the ongoing creativity. Dinnertime for Chickies, which is really for pre-readers (although
in theory for kids up to age four), is as much fun as the earlier Bedtime for Chickies and Pottytime for Chickies, as once again
the three adorable chicks make life temporarily difficult for their “adult”
caregivers, Sheep, Cow and Pig. In this book, they do that by initially
refusing various foods offered for dinner. Macaroni and meatballs is “too
drippy,” with the chicks insisting they want “something chippy” (presumably
chocolate chippy) instead; tacos are “too spicy”; vegetables are “too chewy.”
But the ever-patient bigger barnyard animals urge the chickies, each time, to
try a single taste, and the chicks become immediate converts to every food – to
such an extent that, when they are finally offered dessert, they have no room
for it (but manage to find just a tiny bit of tummy space at the end!). Janee Trasler’s verbal play here is
especially enjoyable (“wash your wings and take a seat”), and her illustrations
are a delight, from the chick covered in tomato sauce to the one wearing a
napkin as a bandana to the chicks’ initial expressions of dislike and dismay
(which quickly turn to ones of delight). Dinnertime
for Chickies certainly has a message about being willing to try new foods –
but beyond that, it is just plain fun to read and look at.
The 12th – yes,
12th – of Charise Mericle Harper’s books about Grace Stewart (who
got the name “Just Grace” when she tried to distinguish herself from other
Graces in her class) is plenty of fun, too, and in fact is one of the best in
this long-running series. Kids ages 6-10 (more or less) will enjoy the multiple
plots here: a new crossing guard named Marie needs help making friends; a
substitute teacher takes over Grace’s class; and Grace and Mimi are due to have
their own table at the craft fair, for which they plan to make plenty of craft
items to sell so they can earn enough money to visit the county fair – that is,
if Grace can ever figure out how to sew (a task at which Mimi excels). The
intricacies and minor complications of the related plots are neither more nor
less surprising than in other Just Grace books, and neither are Grace’s
observations: “Even if you like something, it does not always mean you want to
do it five days in a row. That’s how I feel about school.” But Harper’s illustrations this time – that
is, the ones “by Grace” that, umm, grace every page – are what make this entry
so much fun. There are the four “smiles that are not good” (the last being
“evil villain smile”); the idea-generating flow chart that starts with a
toaster and ends with a squirrel; the visual explanation of “single
imagination” and “double imagination” when it comes to unicorns; the “zombie
toast” character created by one of Grace’s classmates; the potential “pocket
pals” that Grace imagines another classmate making, such as “talking dirt” and
“bug with fourteen legs”; and many more. Grace’s usual headlines for sections
of the book are as, errrr, graceful as usual: “What Was Disappointing,” “The
Best Thing about the Dollar Store,” “The Thing That Happened During Lunch That
We Didn’t See,” “What Can Speed By Super Fast and Is Not a Plane,” and so
forth. True, it is clear from the start that the ever-clever Grace will eventually
come up with a Big Idea that will make the craft fair a success – and not only
for the girls themselves. But despite the fact that the plot has obvious
elements and is sure to end with a typical Just Grace twist, the skillful
interweaving of subjects and the even-more-fun-than-usual illustrations make Just Grace Gets Crafty a delightful
series entry that proves that Harper has not yet run out of variations on this
particular theme.
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