The School for Good and Evil.
By Soman Chainani. Illustrated by Iacopo Bruno. Harper. $16.99.
Scary School 3: The Northern
Frights. By “Derek the Ghost” (Derek Taylor Kent). Illustrated by Scott M.
Fischer. Harper. $16.99.
My Weirder School #8: Dr.
Nicholas Is Ridiculous! By Dan Gutman. Pictures by Jim Paillot. Harper. $3.99.
If there seems to be
something just a trifle odd about the schools in all these books, that is
purely intentional: all of them take the notion of everyday rote learning and
turn it inside-out, upside-down and generally into a delightfully
unrecognizable variation of itself. This is a fairly straightforward thing to
do in creating school-related books for preteens, but when it is done
particularly well – as first-time novelist Soman Chainani does it in The School for Good and Evil – the
result is very educational indeed, provided that “educational” is rather
broadly defined. One reason this book works so well is that Chainani is a
novice novelist but scarcely a tyro in producing stories, creating characters
and developing intricate plots: he is an award-winning screenwriter. There is
in fact something cinematic about this novel for preteens, not in the typical
smash-bang-action approach of far too many modern movies but in terms of
clearly and simply delineated characters, an easy-to-follow good-and-evil plot,
and enough twists to keep everything interesting. In fact, the underlying
premise is downright intriguing for anyone who enjoys fairy tales: there are
two side-by-side schools, separated by a bridge and a waterway (called “moat”
on one side and “lake” on the other), devoted to training the good and evil
characters of fairy tales. As wonderfully pictured right at the start by Iacopo
Bruno, the schools look suitably dark and light, with the School for Evil
devoted to “mischief, malice, vice” and the School for Good focused on “purity,
honor, charity, valor” (four attributes to the other school’s three, but who’s
counting?). The symbol of the School for Good is a white swan with half a shield;
that of the School for Evil is a black swan with the other half of the same
shield – whose design makes the two halves mirror images. Into these schools
come two friends: Sophie, who is all pink dresses and glass slippers, and
Agatha, with a prickly personality and wicked pet cat. It is obvious what will
happen – which is why Chainani quickly tosses out the first of many twists by
having Sophie assigned to the School for Evil and Agatha to the School for
Good. Obviously a terrible mistake has been made – although careful readers
will find hints of the girls’ real personalities from the book’s start. In any
case, the two girls are sure that there has been a major error and that they need
to set things right and get placed where they belong. But wait: there is
another twist in the form of the Storian – not “historian,” writing about the
past, but Storian, writing tales as they are being lived. Once he (actually it
– a clever touch) begins chronicling the girls’ adventures, Sophie and Agatha must
live them through to whatever end there may be, and of course the Storian has
started doing so. The chance that the girls’ fairy tale will end well for both of
them is small, and gets smaller every time either girl tries to break out of
the lifestyle into which she has been channeled. And gradually, but with a firm
authorial hand, Chainani has readers start thinking more and more that perhaps,
despite surface appearances, Sophie and Agatha were placed in the correct
schools after all. The whole question of what is on the surface vs. what is in
one’s heart – a standard element of fairy tales – is important here, and gives
the book more depth than it would have as a straightforward adventure story
with a touch of magic thrown in. There are certainly derivative elements in The School for Good and Evil (note that
the title says “school,” not “schools,” which should already tell readers
something). For example, Mr. Deauville’s Storybook Shop would fit quite
naturally into Diagon Alley in the Harry Potter universe, and Bruno’s drawing
makes the resemblance even clearer. But all tales of young people and magic share
certain elements, and the echoes of other stories are not intrusive here. The School for Good and Evil has enough
thoughtfulness piled atop enough adventurousness to prove equally attractive to
fairy-tale readers who root for the good guys and those who root (usually in
vain) for the baddies.
Preteens looking for
something simpler and funnier will enjoy the third book in the Scary School series, The Northern Frights. The protagonist
here is once again Charles Nukid, who is less of a new kid by this time and
ends up being nicknamed “noodle-neck” twice, for two separate and equally good
reasons. And the narrator is again Derek the Ghost, victim at age 11 of a
school science experiment gone wrong. But the focus is not solely or even
primarily on Scary School in this installment: Scream Academy is where the
action is, after a number of Scary School students go there in a transfer
program. This gives Derek Taylor Kent the opportunity to introduce a whole
group of new characters, ranging from Scream Academy’s principal (an abominable
snowman named Meltington) to the genuinely interesting polter-bears (part
poltergeist, part polar bear). There are the usual hijinks (lojinks?) here,
such as hall monitor Ms. Hydra almost devouring the class, which she is allowed
to do if they are late because “rules are rules.” There are the puns (one
student is named Steven Kingsley), the familiar characters (Jason, with
“ever-present hockey mask and lumberjack outfit” and, of course, a chainsaw),
and the obvious notions (Ramon the Zombie’s idea to counter an acid-rain storm
is to “eat the storm’s braaaains”). Then there is the scene in which a troll,
killed in a classroom by a falling icicle, is turned into a troll-snowman by
the yeti professor and emerges as a snow monster who comments, “I don’t feel
nearly as dead as before.” There is also a prophecy (this is scarcely a
surprise), and when Charles learns in class about the Elder Dragons that are
now all dead, it is pretty obvious where the prophecy and the book are going,
which is where they go. Of course, fighting an Ice Dragon requires a Sword of
Fire, so of course there is one, and of course Charles finds and wields it –
and eventually the threat to both Scream Academy and Scary School is
neutralized, and a good time is had by almost all (all the good guys, anyway).
The (+++) Scary School series
continues to try a little too hard to be amusing, magical and amusingly
magical, but fans of the first two books will enjoy the third helping of the
characters and storytelling in The
Northern Frights.
The eighth helping in the My Weirder School series is a
continuation of a continuation, since this whole (+++) series follows from My Weird School Daze, which consisted of
a dozen books. These short paperbacks are formulaic by intention, even to the
point of titles that invariably end with exclamation points – hence Dr. Nicholas Is Ridiculous! The teacher
of the title is a college professor brought in to teach the kids history after
they do really badly on a test. And she is old enough to be a part of history
herself: A.J., the narrator, says, “I’ve seen glaciers move faster than Dr. Nicholas,” who has white hair and
uses a cane – and turns out to be really good at jumping rope. She also has an
offbeat approach to history, preferring to discuss the development of toilet
bowls rather than more traditional material. The history of Barbie dolls, the
history of Hot Wheels cars, a voyage in a “Time Boat,” and the kids are ready
to tackle the history test again – and lo and behold, the oddball historical
questions on it reflect exactly what they have been taught by Dr. Nicholas. So
all ends well, as usual, in a predictable way, as usual, and Dan Gutman and Jim
Paillot can chalk up another modest success in their easy-to-read, moderately
interesting and only slightly weird second series of educational amusements.
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